A pioneer, by definition, is the first one to open roads into virtually undiscovered territory. The career of DJ and producer Anderson Noise is one as pioneer of the electronic music scene in Brazil. Native of Belo Horizonte, Minas Gerais, Noise started DJing in a slow but steady manner, as is the custom in his region of Brazil. Yet he never forgot to take the necessary steps to ensure total success. In 1989, during the explosion of Acid House on the club scene, Noise started playing around the local circuit in his hometown, which brought the professional passion for DJing. He is noted for saying that the function of a DJ is to emote the audience or bring them to an emotional frenzy. Subsequently, Noise started organising and producing large-scale events in which he could also DJ by as early as 1992.

With a passionate fervour, he opened space for the expansion of the electronic music scene in the capital city of Minas Gerais, which at the time was in an embryonic state. He threw more than 40 party events in places like mental institutions, car dealership lots, shopping centers, and historic buildings. The Noise Family turned into an institution, as the entire family was involved in organising and working the events. Mamma Noise, Anderson's mother worked as hostess in the events, and Alvinho Little Noise joined in the fun burning up the dance floor spinning records along with Anderson. The first compilation disk come out in 96, 'Paralisia Cerebral', when the dream of producing his own records turned into a reality in the talented hands of Anderson Noise.

In 1997 he was invited to include 'Shantytown' on 'Electronic Music Brazil', the first CD of 100% Brazilian DJ's& Producers released by Sony-Mercado Mundo Mix. Expanding his horizons, Noise promoted the first trio electrico playing exclusively electronic music in 1999 during Carnabelo, the off season Mineiro Carnival that turned into a must-see performance. Without knowing it, he would be acquiring the experience that would later prepare him for a bigger challenge playing on Daniela Mercury's trio electrico during the Salvador Carnival of 2002, giving him huge national exposure in the media.

On the shelves of the great DJ's are always something besides records – this being trophies and awards. In 97', Noise won the Best Underground DJ award for the magazine, 'DJ Sound'. In the two times that 'DJ Sound' ran the competition, Anderson won each time.

Then he won the trophy for the best producer and best techno DJ from the Brazilian newspaper 'A Folha De Sao Paulo'. The faiscas trophy, an award Noise Won 3 years in a row was offered by the Minas Newspaper, 'O Estado de Minas' for those artists that shook up the nightlife in Belo Horizonte and in 2003 he was runner up in the Cool Magazine Awards, Brazils most elegant electronic music magazine. The trophy was given to him in the subsequent year of 2004, as best DJ.

Anderson has always participated in the major national/Brazilian Electronic Music Events. His presence was felt by all in every edition of the world renowned Skol Beats Festival since it's inception, and in 2003 actually played the closing set. Noise also participated in the 'Electronic Tent' of Rock in Rio in 2000.

It was in this year that his second compilation CD was released called 'October', with some tracks produced by his own record label Noise Music. The label started up in 1999 with the intention of bringing music to the world, which was composed and produced by Brazilians. In his own words "We Brazilians always buy music by gringo artists and the gringos in turn never have any of our music". There has already been great electronic music produced in Brazil of excellent quality waiting to be shown to the world.

In 2001 Anderson became a DJ in residence at 'Headstart Night' in the Turnmills of London, integrating a select group of Brazilian DJs that were playing in the UK and Europe at the time. At the same time Noise played abroad, he would also share the stage with great international DJs when they would tour Brazil. The must notable of them who was impressed by the mineiro DJ was Carl Cox, considered the greatest DJ on the planet. Carl Cox was impressed by Noise's force of playing the first time Cox toured Brazil. "Anderson is very talented. He played with me sometime before, sometimes after. He also has his own label, Noise Music. They´re good records, too good to ignore". In the 2001 issue of DJ Magazine, '2001 Top 100', Cox classified Anderson as the future 'DJ Hero'.

His third CD compilation came out in 2002, greatly pleasing his Brazilian fan base, 'Noise Music Compilation 100% Mix, Anderson Noise'. It was released by a major record company, bringing all of the best Noise Music tracks into the form of an awesome set list compilation. It was well received in Brazil as well as in Europe, calling the attention of Trevor Rockcliffe, the owner of Mentor Records, a very well respected English label. After hearing t